IN RUMPUS BOOKS: My review of ALPHABET and PARADISE AND ELSEWHERE by Kathy Page

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Studies have shown that reading literary fiction increases a reader’s ability to empathize. In her first books to be published in the U.S., Giller Prize-nominated British author Kathy Page puts that theory to a rigorous test. Would you like to spend 300 pages in the mind of a murderer? How about fourteen stories replete with the vengeful whispers from those vanquished by the injustices of globalization? In both the novel Alphabet and the story collection Paradise and Elsewhere, Page demonstrates that she is a master provocateur, unafraid to ask unpleasant questions about contemporary society, even if she risks being didactic.

Read the rest of the review here.

Revisiting Old Masters

I’ve been revisiting old masters to find something. I started 1Q84 and hope to finish that sometime between now and 2Q84. I don’t think any book as long as Murakami’s epic deserves its length and it’s pretty clear from the outset that either the text isn’t well-translated or Murakami has let his own voice run amok. Still, perhaps like the present day version of his beloved Paul McCartney, there’s enough of a remnant of signature Good Haruki sentences to keep me coming back.

I found the converse to be true when at long last, I opened George Saunders’s IN PERSUASION NATION. Over the years, I’ve grown weary of Saunders’s SignatureStyleTM. I get it. Marketing and advertising sucks. We’re inundated by it. And it numbs us to the horrors going on in other parts of the world. Then I read “The Red Bow” and “Christmas,” back-to-back stories in the collection. Jaw-dropping. Stunning. Beautiful. Works on the level of satire and naturalism. Reminding me once again, why one revisits old masters. Because even masters evolve and become more masterful.