“Any writer who attempts comedy has considered the maxim, ‘Being funny is never enough.’ They have, likewise, considered the corollary, ‘Until it is.’ As a writer, you can be funny enough—accepting the innate subjectivity of humor—that little to nothing else matters. You can make your reader forget holes in character, plot, and story by achieving the comic writer’s Holy Grail of making them laugh again and again.
But simply being funny isn’t enough for literary comedy (or its subcategories satire and black comedy). The balance between comic and serious is crucial in literary comedy. Stray too far in either direction and you fail, becoming simplistic on one hand, boring on the other. While a perfect balance is admittedly impossible, never mind a matter of taste, Leland Cheuk does an admirable job in his latest, No Good Very Bad Asian, achieving a true synthesis of heart and humor highlighted by the fluidity of his first-person voice and a steady diet of sharp turns of prose.”